Appreciating Physical Landscapes: Three Hundred Years of Geotourism
Geotourism, as a form of sustainable geoheritage tourism, was defined and developed, from the early 1990s, to contextualize modern approaches to geoconservation and physical landscape management. However, its roots lie in the late seventeenth century and the emergence of the Grand Tour and its domestic equivalents in the eighteenth century. Its participants and numerous later travellers and tourists, including geologists and artists, purposefully explored wild landscapes as‘geotourists’.
The written and visual records of their observations underpin the majority of papers within this volume; these papers explore some significant geo-historical themes, organizations, individuals and locations across three centuries, opening with seventeenth century elite travellers and closing with modern landscape tourists. Other papers examine the resources available to those geotourists and explore the geotourism paradigm.
The volume will be of particular interest to Earth scientists, historians of science, tourism specialists and general readers with an interest in landscape history.
Landscape and geotourism on the Dutch coast in the seventeenth century as depicted by landscape artists
Published:January 01, 2016
J. A. M. (Hanneke) Van Den Ancker, Pieter Dirk Jungerius, 2016. "Landscape and geotourism on the Dutch coast in the seventeenth century as depicted by landscape artists", Appreciating Physical Landscapes: Three Hundred Years of Geotourism, T. A. Hose
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The first evidence of tourism on the Dutch coast can be found in drawings and etchings from the end of the sixteenth century. In this period Holland developed into one of the most urbanized regions of Europe. The interest in landscape originated in the towns. The first scenes depicted are those of mass tourism on the beach: sensation-mongers drawn to the beach by whales, sailing cars and departing kings and queens. Somewhat later the dune landscape became a main recreational focus, in which the physical aspects of the landscape were also appreciated. Around the town of Haarlem, individuals and small groups of people started exploring the dune landscape. In the wake of this new interest, landscape painting developed as an artistic genre. It became the most popular genre in the first half of the seventeenth century, and Haarlem developed as a centre for landscape painters. This paper discusses geomorphological features and geotourism engagement as depicted in several of the early etchings and landscape paintings.