Abstract The UK National Geological Repository (UKNGR) is the largest collection of British geoscience samples, with 16 m ‘specimens’, including 600 km of drillcore. Samples are available for study/subsampling by commercial organizations and researchers. Data, reports and publications must be returned. Raw data are available after 2 years. The scientific method requires published results to be repeatable, necessitating the archiving of samples. Re-purposing samples for new research saves money and time and thereby reduces risk. The National Geological Repository (NGR) has cost over £200 bn to collect and the cost of a single deep cored borehole would be outside the funding of most research projects, so the operation of an NGR makes financial sense. Many of the boreholes have been extensively characterized, so new research can build on the wealth of published data. The NGR has been at the forefront of international efforts to utilize digitization and the World Wide Web to improve the impact of the collections. Geographical information system (GIS) access was provided to the onshore borehole collection in 2000, and GIS access and text searching were added to the other collections over the next 10 years. This was followed by high-resolution images of the UK Continental Shelf (UKCS) cores, petrological thin-sections, and images, stereo anaglyphs and 3D-digital models of British-type fossils.

ABSTRACT William Smith’s Strata Identified by Organized Fossils , published between 1816 and 1819, was one of the most important books in the development of stratigraphy; it was also significant in the evolution of paleontological art and illustration. For the first time, Smith organized fossil illustrations in plates according to the order of the strata. Each stratigraphic plate showed characteristic assemblages of fossils. The publication was a joint venture between Smith and James Sowerby and it was Sowerby who elevated the work into the realm of art. Smith had been influenced by the work of previous authors, in particular Robert Plot and John Morton, who, some 150 years earlier, had published texts illustrated by fossil engravings. The difference between these engravings and those of Sowerby shows the extent to which fossil illustration had evolved. Unlike previous work where the engravings were very mechanical, Sowerby’s were extraordinarily naturalistic. By means of subtle lines, stipple, and water coloring, Sowerby was able to achieve extremely realistic and aesthetically pleasing artwork. Unusually, many of Smith’s originals fossils are still intact and when photographs of these specimens are compared to the illustrations, the quality of Sowerby’s work is striking. Smith also selected earth-colors for the paper on which the illustrations were produced, with colors reflecting the strata in which the fossils were embedded. Although this technique had some disadvantages, it aimed to bridge the gap between science and art.