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Pompeii

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Journal Article
Published: 17 February 2020
Geological Magazine (2020) 157 (4): 695–700.
...Claudio Scarpati; Annamaria Perrotta; Alberta Martellone; Massimo Osanna Abstract A new stratigraphic survey of the pyroclastic deposits blanketing Pompeii ruins shows departures from prior reconstruction of the events that occurred inside the town during the two main phases (pumice fallout...
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Journal Article
Journal: GSA Bulletin
Published: 01 March 2013
GSA Bulletin (2013) 125 (3-4): 556–577.
... samples from Rome and Pompeii, and of pumices from the Colosseum and the Dioclethian’s Bath, with the aim to identify the lithological provenance of these materials. Discrimination diagrams based on ratios of selected trace elements (i.e., Zr/Y, Nb/Y, Th/Ta, Nb/Zr) allow us to recognize the geochemical...
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Series: Geological Society, London, Special Publications
Published: 01 January 2006
DOI: 10.1144/GSL.SP.2006.257.01.14
EISBN: 9781862395053
... Abstract Among the glass finds of the Pompeii excavations, numerous objects of opaque and transparent glassy material of different colours were recovered and classified as game counters. The main aims of this work were to characterize these samples so as to identify the materials used...
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Journal Article
Journal: Geology
Published: 01 June 2005
Geology (2005) 33 (6): 441–444.
... energetic, turbulent pyroclastic density current of the A.D. 79 eruption of Vesuvius, Italy, which partially destroyed the Roman city of Pompeii. Our results show that the urban fabric was able to divide the lower portion of the current into several streams that followed the city walls and the intracity...
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Series: Geological Society, London, Special Publications
Published: 01 January 2000
DOI: 10.1144/GSL.SP.2000.171.01.12
EISBN: 9781862394193
... into the air with incredible violence. A terrible rain of lapilli and ashes fell, submerging Pompeii and the surrounding area (Macedonio et al. 1988 ). The land was covered by a blanket two and a half metres thick, more in some places, depending on the contours of the terrain. At tremendous velocity, hot...
Image
‘Pompeii lives’: plaster casts of victims; preserved mural; Pompeii in Vesuvius’ shadow; ‘Pompeiviva: a claim and program for Pompei’ (copyright C. P. Nathanail 2011, reproduced with permission).
Published: 01 February 2013
Fig. 2. ‘Pompeii lives’: plaster casts of victims; preserved mural; Pompeii in Vesuvius’ shadow; ‘Pompeiviva: a claim and program for Pompei’ (copyright C. P. Nathanail 2011 , reproduced with permission).
Image
Plan view of Pompeii. Dots represent locations of the outcrops studied. P – Polibius’ house; SA – Schola Armaturarum; VM – Villa dei Misteri; G – Gladiator’s house; Ga – House of Garden; J – House of Jupiter. Inset: map showing the relative position of Pompeii and Mount Vesuvius.
Published: 17 February 2020
Fig. 1. Plan view of Pompeii. Dots represent locations of the outcrops studied. P – Polibius’ house; SA – Schola Armaturarum; VM – Villa dei Misteri; G – Gladiator’s house; Ga – House of Garden; J – House of Jupiter. Inset: map showing the relative position of Pompeii and Mount Vesuvius.
Image
a, Wall painting in Pompeii. Notice that the rock outcrops show no layers—in fact, no structure at all—by which the internal architecture of the outcrop could be understood. b, Massive forms resembling houses in a landscape: St. John the Baptist Taking Leave of His Parents by Fra Filippo Lippi, in the Prato Cathedral in Tuscany (1452–1465). c, Orazione nell'orto (Agony in the Garden), by Andrea Mantegna, painted ca. 1460. Notice here too the building aspect of the mountain and the slopes. d, Albrecht Altdorfer’s Battle of Arbela (1529). Notice the conical aspect of the mountains, betraying no information about their internal structure.
Published: 01 November 2016
Figure A2. a , Wall painting in Pompeii. Notice that the rock outcrops show no layers—in fact, no structure at all—by which the internal architecture of the outcrop could be understood. b , Massive forms resembling houses in a landscape: St. John the Baptist Taking Leave of His Parents
Image
a, Wall painting in Pompeii. Notice that the rock outcrops show no layers—in fact, no structure at all—by which the internal architecture of the outcrop could be understood. b, Massive forms resembling houses in a landscape: St. John the Baptist Taking Leave of His Parents by Fra Filippo Lippi, in the Prato Cathedral in Tuscany (1452–1465). c, Orazione nell'orto (Agony in the Garden), by Andrea Mantegna, painted ca. 1460. Notice here too the building aspect of the mountain and the slopes. d, Albrecht Altdorfer’s Battle of Arbela (1529). Notice the conical aspect of the mountains, betraying no information about their internal structure.
Published: 01 November 2016
Figure A2. a , Wall painting in Pompeii. Notice that the rock outcrops show no layers—in fact, no structure at all—by which the internal architecture of the outcrop could be understood. b , Massive forms resembling houses in a landscape: St. John the Baptist Taking Leave of His Parents
Image
a, Wall painting in Pompeii. Notice that the rock outcrops show no layers—in fact, no structure at all—by which the internal architecture of the outcrop could be understood. b, Massive forms resembling houses in a landscape: St. John the Baptist Taking Leave of His Parents by Fra Filippo Lippi, in the Prato Cathedral in Tuscany (1452–1465). c, Orazione nell'orto (Agony in the Garden), by Andrea Mantegna, painted ca. 1460. Notice here too the building aspect of the mountain and the slopes. d, Albrecht Altdorfer’s Battle of Arbela (1529). Notice the conical aspect of the mountains, betraying no information about their internal structure.
Published: 01 November 2016
Figure A2. a , Wall painting in Pompeii. Notice that the rock outcrops show no layers—in fact, no structure at all—by which the internal architecture of the outcrop could be understood. b , Massive forms resembling houses in a landscape: St. John the Baptist Taking Leave of His Parents
Image
a, Wall painting in Pompeii. Notice that the rock outcrops show no layers—in fact, no structure at all—by which the internal architecture of the outcrop could be understood. b, Massive forms resembling houses in a landscape: St. John the Baptist Taking Leave of His Parents by Fra Filippo Lippi, in the Prato Cathedral in Tuscany (1452–1465). c, Orazione nell'orto (Agony in the Garden), by Andrea Mantegna, painted ca. 1460. Notice here too the building aspect of the mountain and the slopes. d, Albrecht Altdorfer’s Battle of Arbela (1529). Notice the conical aspect of the mountains, betraying no information about their internal structure.
Published: 01 November 2016
Figure A2. a , Wall painting in Pompeii. Notice that the rock outcrops show no layers—in fact, no structure at all—by which the internal architecture of the outcrop could be understood. b , Massive forms resembling houses in a landscape: St. John the Baptist Taking Leave of His Parents
Image
Photomicrographs of MI hosted in olivine from the Pompeii eruption (AD 79). (a) Crystallized MI “as found” (before heating experiment). (b) Bubble-bearing MI after quenching following heating experiment. (Color online.)
Published: 01 July 2016
Figure 1 Photomicrographs of MI hosted in olivine from the Pompeii eruption (AD 79). ( a ) Crystallized MI “as found” (before heating experiment). ( b ) Bubble-bearing MI after quenching following heating experiment. (Color online.)
Journal Article
Published: 01 March 2024
American Mineralogist (2024) 109 (3): 556–573.
...-Vesuvius volcano (Roman Magmatic Province, southern Italy). Skarns, composite skarns-marbles and cumulates from Pompeii Plinian eruption (AD 79), and skarns and syenite from Avellino eruption (3945 ± 10 cal yr BP) were investigated to define the crystal chemistry of the Somma-Vesuvius trioctahedral micas...
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Series: Geological Society, London, Special Publications
Published: 01 January 2000
DOI: 10.1144/GSL.SP.2000.171.01.11
EISBN: 9781862394193
... Abstract Volcanological studies in the Bronze Age settlement of Akrotiri (Santorini, Greece) and in the Roman towns of Pompeii and Herculaneum (Vesuvius, Italy) have provided information about the precursory phenomena preceding the Minoan and AD 79 Plinian eruptions and the impact...
Published: 01 January 1990
DOI: 10.1130/SPE244-p113
... The destruction of the cities of Pompeii and Herculaneum and the villas in the surrounding area by the eruption of Vesuvius in A.D. 79 preserved a unique body of information about flora and fauna, such as is available at no other ancient site. Root cavities can be emptied of lapilli and casts...
Journal Article
Published: 01 November 2024
Journal of the Geological Society (2025) 182 (1): jgs2024-071.
... is given in our companion paper ( Scarpati et al. 2024 ). In reconstructing the thickness distribution of the two Plinian fall phases, Sigurdsson et al. (1985) noted a secondary thickening at Pompeii, which certainly contributed to the collapse and burial of buildings. Distal sections are widespread...
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Image
(a) Selected xenoliths from Somma-Vesuvius (see Online Materials1 Table S1): PS44 (composite skarn-marble) and PS80 (cumulate) are from Pompeii eruption; PS57 (syenite) and PS77 (skarn) are from Avellino eruption (bar scale equal to 5 cm). (b) Distribution of the sample set according to the lithotype and the occurrence. (Color online.)
Published: 01 March 2024
Figure 2. ( a ) Selected xenoliths from Somma-Vesuvius (see Online Materials 1 Table S1): PS44 (composite skarn-marble) and PS80 (cumulate) are from Pompeii eruption; PS57 (syenite) and PS77 (skarn) are from Avellino eruption (bar scale equal to 5 cm). ( b ) Distribution of the sample set
Image
Plot of the c parameter vs. Mg number [Mg/(Mg+Fetot)] for the investigated trioctahedral micas from the Avellino and Pompeii xenoliths (symbols as in Fig. 4). For comparison, values of phlogopite, fluorophlogopite and biotite of Vesuvius xenoliths from the AD 1631, 1872, and 1944 eruptions (Balassone et al. 2013) are reported. (Color online.)
Published: 01 March 2024
Figure 11. Plot of the c parameter vs. Mg number [Mg/(Mg+Fe tot )] for the investigated trioctahedral micas from the Avellino and Pompeii xenoliths (symbols as in Fig. 4 ). For comparison, values of phlogopite, fluorophlogopite and biotite of Vesuvius xenoliths from the AD 1631, 1872, and 1944
Image
The Bouguer gravity field of the Campanian area (southern Italy). The map is characterized by a rather complex pattern of lows, such as those of Pompeii and Acerra, and highs mostly related to carbonate rocks exposed at the surface, such as the first Apennines reliefs, the Sorrento Peninsula, and Mt. Massico.
Published: 29 December 2006
Figure 14. The Bouguer gravity field of the Campanian area (southern Italy). The map is characterized by a rather complex pattern of lows, such as those of Pompeii and Acerra, and highs mostly related to carbonate rocks exposed at the surface, such as the first Apennines reliefs, the Sorrento
Series: Geological Society, London, Special Publications
Published: 01 January 2015
DOI: 10.1144/SP396.4
EISBN: 9781862396722
... the deposits. New data are presented for the Pomici di Base, Greenish Pumice, Mercato and 1631 AD deposits and compared to the literature data from the Avellino, 79 AD-Pompeii and 472 AD-Pollena eruptions. The T dep mainly fall in the range 270–370 °C and no significant correlation is evidenced between...
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