ABSTRACT William Maclure, Father of North American Geology, partnered with Robert Owen in 1825 to establish an experimental socialistic community focusing on equitable reform in New Harmony, Indiana, USA. Artists, educators, and natural scientists recruited from Philadelphia arrived on a keel boat named Philanthropist in January 1826. Upon their arrival, Maclure established the New Harmony schools using a modified Pestalozzian educational approach under the guidance of Madame Fretageot. The New Harmony schools focused on practical education through direct observation of nature as well as a curriculum involving drawing, music, science, writing, and trade skills such as carpentry, engraving, and printing. Furthermore, the integration of arts and sciences with hands-on experiences led to a productive community of natural scientists who published significant works on the conchology, geology, ichthyology, and paleontology of North America. In the mid-nineteenth century, hand-drawn illustrations were reproduced through engravings, etchings, or lithography prior to the invention of the daguerreotype process in 1839, collodion wet plate process in 1851, and flexible celluloid film in 1888. In particular, the published works of David Dale Owen demonstrate the increasing importance of evolving reproduction techniques to paleontological illustration as well as the significance of hand-drawn artistic renderings. Interestingly, the modified Pestalozzian educational approach introduced by Maclure in New Harmony has several implications for the modern classroom. For instance, recent studies suggest that drawing improves spatial reasoning skills and increases comprehension of complex scientific principles. Likewise, engaging students in the drawing of fossils delivers a meaningful learning experience in the paleontology classroom.

Abstract Indiana Limestone is one of the most used and versatile building stones in the USA. It is a uniform, carbonate grainstone formed during the Mississippian Subperiod of the Carbonifereous. The stone has excellent physical properties, good workability, fire resistance, durability, sustainability, reserves sufficient for hundreds of years, remarkable history, and is available in pleasing colours and textures. Indiana Limestone is used extensively for important buildings, homes, or carved as accents and sculptures, as well as other uses. At one time it was estimated that 60–80% of important US stone buildings were built with Indiana Limestone. This stone has been used for significant, even iconic buildings such as the Empire State Building and the Yankee Stadium, the Pentagon and many other government buildings, even religious structures such as the National Cathedral in Washington, DC, notable houses such as the Biltmore House in North Carolina, many Chicago landmarks, plus libraries, research centres, academic buildings and museums, across the USA. Sculptures throughout the USA and other countries are made of Indiana Limestone. The stone has good sustainability and is incorporated into the very culture of the state of Indiana and America. Indiana Limestone merits designation as a Global Heritage Stone Resource.

ABSTRACT Organic matter (OM) in petroleum source rocks is a mixture of organic macerals that follow their own specific evolutionary pathways during thermal maturation. Understanding the transformation of each maceral into oil and gas with increasing thermal maturity is critical for both source rock evaluation and unconventional shale oil/gas reservoir characterization. In this study, organic petrology was used to document the reflectance, abundance, color, and fluorescence properties of primary organic macerals and solid bitumen (SB) in 14 Upper Devonian New Albany Shale samples (kerogen type II sequence) from early mature (vitrinite reflectance [VR o ] of 0.55%) to post-mature (VR o 1.42%). Micro-Fourier transform infrared (micro-FTIR) spectroscopy analyses were conducted on these samples to derive information on the evolution of the chemical structure of organic macerals and SB with increasing thermal maturity. Primary OM (amorphous organic matter, alginite, vitrinite, and inertinite) and secondary organic matter (SB) were identified in early mature samples. Amorphous organic matter (AOM) was the dominant organic component in early mature samples and was observed up to the maturity equivalent to VR o 0.79% but could not be identified at VR o 0.80%. An organic network composed of AOM and SB was observed from VR o 0.55 to 0.79%, which, together with the decrease in AOM content being accompanied by an increase in SB content, suggests that with the onset of petroleum generation, SB gradually replaced the original AOM. Alginite, represented by Tasmanites cysts, started to transform to pre-oil bitumen at a maturity corresponding to VR o 0.80%. It shows weak orange-yellow fluorescence at this maturity, a change from strong greenish-yellow fluorescence in early mature samples. Alginite could not be identified at VR o 0.89%, and generated bitumen remained in place or migrated over short distances. Petrographic observations and micro-FTIR study of alginite indicate that substantial hydrocarbon generation from alginite does not start until alginite is completely transformed to pre-oil bitumen. In contrast to AOM and alginite, vitrinite and inertinite derived from terrestrial woody materials occur as dispersed particles and do not change significantly during thermal maturation. A linear relationship between vitrinite and SB reflectance exists for the studied samples. The reflectance of vitrinite is higher than that of SB until VR o 0.99%, and at higher maturities, SB reflectance exceeds vitrinite reflectance. The inclusion of pre-oil SB converted from alginite in reflectance measurements could result in a lower average SB reflectance and, therefore, caution should be applied when using SB reflectance as an indicator of thermal maturity.

ABSTRACT The historic town of New Harmony is located along the Wabash River in Posey County, Indiana, and served as a focal point for natural scientists, especially geologists, in the early nineteenth century. Notable geologists that lived and worked in New Harmony during this time include Edward Travers Cox, William Maclure, Fielding Bradford Meek, Joseph Granville Norwood, David Dale Owen, Richard Dale Owen, Benjamin Franklin Shumard, Gerard Troost, and Amos Henry Worthen. Other natural scientists who worked in New Harmony include Charles Alexandre Lesueur and Thomas Say, and the town was also visited by James Hall, Leo Lesquereux, Sir Charles Lyell, and Alexander Philipp Maximilian, Prince of Wied. The purpose of this field-trip guide is to highlight the scientific and geologic enterprise that operated in nineteenth-century New Harmony, Indiana. There will be a tour of historic buildings including laboratories used by David Dale Owen, such as the Rapp-Owen Granary and his fourth laboratory, which was constructed in 1859. Furthermore, field-trip participants will visit a new geology exhibit at the Working Men’s Institute, an organization established by William Maclure in 1838. The field excursion will also visit historically significant localities, including Mississippian and Pennsylvanian exposures, the type section of the West Franklin Limestone, and a Pennsylvanian paleobotanical site that yielded extensive collections of plant fossils in the mid-nineteenth century. Finally, this field trip will provide an opportunity to discuss the importance of art to geological studies in the early nineteenth century. Specifically, hand-colored geologic maps, cross sections, and renderings of fossils were included with many of the scientific reports of historic New Harmony, and are reflected by the superb artwork of Charles Alexandre Lesueur, David Dale Owen, and Thomas Say. Access to view their original scientific artwork is possible only through special arrangement with the Working Men’s Institute.

ABSTRACT The Salem Limestone (Valmeyeran, Mississippian) is a preeminent dimensional limestone quarried in a two-county area of south-central Indiana for nearly 200 years. Advances in quarry technology in the past 30 years produce nearly smooth-sawn quarry walls that show the exquisite depositional details of the Salem carbonate shoal. The Salem shoal is part of a large-scale shoaling sequence that produced a carbonate platform during the middle Mississippian that began at the end of Borden Group (Mississippian) delta deposition and culminated with the deposition of the Ste. Genevieve Limestone (Mississippian). The Salem was deposited as a high-energy, but subtidal shoal above fair-weather wave base. Four environments are recognizable within the shoal: active shoal, open lagoon, intrashoal channel, and intershoal channel. A shoal crest environment may also be present as a fifth environment. A hierarchy of bounding surfaces can be defined using the sawed quarry exposures. First-order surfaces are foreset laminae and appear as inclined or horizontal stratification. Second-order surfaces are the contacts between similar bedforms, and third-order surfaces truncate first- and second-order surfaces, representing breaks in sedimentation. Combined they define mesoforms within the shoal complex. Fourth-order surfaces, similar to third-order surfaces, represent a change from a shoal to lagoonal setting. Evidence of hard-ground development occurs along third-order surfaces, associated with encrusting bryozoan holdfasts, corals, and columnar subtidal stromatolites. Tracing surfaces on the quarry walls is vital to reconstructing the internal architecture of the shoal and the processes that operated within it. We will examine this shoal architecture by visiting quarries and an outcrop, and we will visit a mill where quarried stone blocks are fabricated into panels and shapes for buildings.